2 Degrees Exhibition
Artist Statement: Current Climate Change efforts have spiked within less progressive circles so much so that the current Presidential administration has pushed back against this narrative. The push back and subsequent policies and actions such as withdrawing from the Paris climate agreements is primarily framed by Americans centering themselves and their experience within this context. Standing Rock and the #NODAPL struggle was triggered by white people deciding they didn’t want a pipeline running through their community and effectively pushed policy to move the pipeline into the Standing Rock Reservation. In short, Climate Change is now important because it’s affecting Americans.
But this framework is flawed. We need to realize that there are places in the world that already live in a Post-Climate Change reality. A short drive south of Los Angeles is the Cucapa community near the city of Mexicali, capital of Baja California where the agriculture industry in the Coachella and Imperial Valleys have swallowed up the water from the Colorado River that used to empty into the Colorado River Delta. These humxn-made changes to the environment have caused flooding and droughts in the area going as far back as the early 1900s. This print captures a day during the moon-tides which take place between late February through early May in which the Cucapa community fish the delta and attempt to capture enough corvina fish to sustain them for a full year. After being displaced and the ecosystem of land-based animals pushed to extinction levels, the Cucapa have been relegated to only fishing for survival while also being criminalized for practicing their ancestral traditions of fishing.
Climate change efforts need to de-center both the American and humxn-experience and take leadership from Indigenous communities already living in a Post-Climate Change reality.
13th Annual California Centered: Printmaking Exhibition
Merced County Arts Council 13th Annual California Centered: Printmaking Exhibition will feature work by Joel Garcia. The juried group show highlights and exhibits the best in recent California printmaking. The show opens April 16th and runs through June 1st at the Merced Multicultural Arts Center.
TATEWARI (Transformed Through Fire)
A serigraph portrait-based series uplifting members of Los Angeles' Xicano/Indigenous community who have survived street-violence and addictions to become agents of healing.
Joel is a 2019 National Association for Latino Arts & Culture Fund for the Arts grant recipient, for more information please visit NALAC.
DECOLONIAL INITIATIVE TASK FORCE
The Decolonial Initiative Task Force (DITF) plans to include engagement with the Tongva, Tataviam and Chumash people, Indigenous experts in cultural art practices, the Los Angeles City/County Native American Indian Commission, and the Los Angeles County Arts Commission to create just and communal processes to address the inequities and lack of inclusion of Native Peoples of Los Angeles in civic art that upholds white supremacy.
Joel is an inaugural fellow of Monument Lab chosen through a national open call, these civic practitioners and youth fellows confront the inequity and injustice in our nation’s monuments and provide bold, creative approaches to public art, history, and memory. Some of the fellows have been working toward these ends for decades. Others began only recently, but have already made impressive, vital contributions. Together, they represent a new guard who are radically redefining what it means to engage public spaces, sites of history, and monuments today.
HOMIE II HOMIE
Homie II Homie is a initiative by individuals impacted by street violence and the prison industrial complex for the purpose of providing those individuals a space and network to heal, develop and maintain professional skills and build self-sustainability through entrepreneurship and incubation of dreams and ideas.